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Message to Adolf, Part 2, by Osamu Tezuka
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In part two of Message to Adolf, with World War II escalating things have become quite heated for the Adolfs. Adolf Kaufman is now enrolled in a Hitler Youth Academy. While there he quickly is taught to distinguish between races and religions. He would eventually hand out stars of David to Jews in his community. His work, some of which would be physically difficult, would lead to a visit with the F�hrer. Unfortunately as young Kaufman would reach such heights, he like Kamil and Tohge before him would find out that Hitler may have a very heavy secret he is hiding.
- Sales Rank: #907760 in Books
- Published on: 2012-12-18
- Released on: 2012-12-18
- Original language: English
- Number of items: 1
- Dimensions: 8.29" h x 2.13" w x 6.39" l, 4.25 pounds
- Binding: Hardcover
- 608 pages
Review
Winner of the 1986 Kodansha Manga Award for Best Manga
"Adolf is one of Japan's greatest manga epics... The perfect choice for those who don't normally read manga. There's humor here, but also monstrous acts that defy comprehension. Adolf is an emotional and complex work that proves once again that comic books can be equal to any great literary novel. Whether you love manga, super hero books or personal tales, Adolf is one series you must read." - IGN.com
"Clocking in at 648 pages, “Message to Adolf” begins in modern times, quickly jumps to the 1936 Olympics in Berlin and moves through World War II. It chronicles the fate of three men with the same first name: Adolf Kamil, a Jewish boy; Adolf Kaufmann, the young boy with a German father and a Japanese mother who befriends him; and Adolf Hitler...The book has a sprawling cast, and the relationship between the two young boys and their struggle to remain friends is touching." - NY Times
About the Author
Osamu Tezuka (1928-89) is the godfather of Japanese manga comics. He originally intended to become a doctor and earned his degree before turning to what was then a medium for children. His many early masterpieces include the series known in the U.S. as Astro Boy. With his sweeping vision, deftly interwined plots, feel for the workings of power, and indefatigable commitment to human dignity, Tezuka elevated manga to an art form.
The later Tezuka, when he authored Buddha, often had in mind the mature readership that manga gained in the sixties and that had only grown ever since. The Kurosawa of Japanese pop culture, Osamu Tezuka is a twentieth century classic.
Tezuka is a multiple award-winner on both sides of the Pacific. His Adolf won the Kodansha Manga Award in 1986. His works Buddha and Dororo have received Eisner Awards in North America over the past decade.
Most helpful customer reviews
6 of 7 people found the following review helpful.
Excellent
By Michael Roess
Recommended for those who don't think anything serious can be expressed in comic form. This is Tezuka at his best.
1 of 1 people found the following review helpful.
"God of Comix" indeed; masterstroke of cosmic king
By Rob
[x-posted from my goodreads account]
Probably the most cohesive of Tezuka's "cram all of life's absurdities" comix without hitting you too hard over the head with it's -ahem- message. Toge is still at the story's front in this volume, which was kind of disappointing seeing as how he introduced himself as a minor character, yet he marries into the most screwed up family imaginable during the most violent war ever; it's a little too convenient for an arch that isn't even the focus of the story, and that problem pops up here and there with Kamil and Kaufmann, too. Kaufmann's story here is probably the best, being the most vile character now that Lamp and Egg are (mostly) on the sideline. Kamil isn't given the depth I would've liked to see, and miss Ogi and Colonel Honda are now one-dimensional where the first volume made me think they have a bigger role. Tezuka fans have come to accept over the years that he mostly wrote characters as stereotypes; think of him as the Gene Roddenberry of Eastern comic ideals. These tropes are used again and again so he can tell his stories in the most cinematic way comix can, and hey, at least he finished this one. Some of the monologue from Toge sounds more like 24th century utilitarianism after-thought instead of 20th century altruism.
I can't bash it all, though. It really comes together nicely. From the arctic north to the Palestinian deserts, the story of these three Adolf's teaches a message that Tezuka had been trying to work into every story he ever printed: that of love and personal achievement, done with characters with real pathos and an understandable misconception of the direction of life and where it *leads* (something Tezuka was obsessed with and drove into the ground with "Phoenix") in relation to kith and kin, and how patriotism quickly becomes fascism. Tezuka was always looking for the story-arch of the cosmos (Apollo, Phoenix, etc.)-- talkin' bout a thing called love, and here he's pointing past the fence, all the way to alpha-centauri, saying, "Engage."
0 of 0 people found the following review helpful.
Prepare for Shock
By Michael J. Eisenmann
The story gets significantly more serious, but all the more compelling. I can seriously imagine Marjane Satrapi being influenced by Tezuka, after reading this. This story is very different from "Kimba" or "Mighty Atom"!
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